Printmaking
Titian himself never attempted engraving, but he was very conscious of the importance of printmaking as a means of further expanding his reputation. In the period 1517–1520 he designed a number of woodcuts, including an enormous and impressive one of The Crossing of the Red Sea, and collaborated with Domenico Campagnola and others, who produced further prints based on his paintings and drawings. Much later he provided drawings based on his paintings to Cornelius Cort from the Netherlands who engraved them. Martino Rota followed Cort from about 1558 to 1568.
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