Tom Wolfe
Thomas Kennerly "Tom" Wolfe, Jr. (born March 2, 1931) is an American author and journalist, best known for his association and influence over the New Journalism literary movement in which literary techniques are used in objective, even-handed journalism. Beginning his career as a reporter he soon became one of the most culturally significant figures of the sixties after the publication of books such as The Electric Kool-Aid Acid Test, a highly experimental account of Ken Kesey and the Merry Pranksters, and his collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, released in 1987 was met with critical acclaim and was a great commercial success.
He is also known, in recent years, for his spats and public disputes with other writers, including John Updike, Norman Mailer, Gore Vidal and John Irving.
Read more about Tom Wolfe: Early Life and Education, Journalism and New Journalism, Non-fiction Books, Art Critiques, Novels, Recurring Themes, The White Suit, Views, Personal Life, Influence, List of Awards, Television Appearances
Famous quotes by tom wolfe:
“It is very comforting to believe that leaders who do terrible things are, in fact, mad. That way, all we have to do is make sure we don’t put psychotics in high places and we’ve got the problem solved.”
—Tom Wolfe (b. 1931)
“The modern picture of The Artist began to form: The poor, but free spirit, plebeian but aspiring only to be classless, to cut himself forever free from the bonds of the greedy bourgeoisie, to be whatever the fat burghers feared most, to cross the line wherever they drew it, to look at the world in a way they couldn’t see, to be high, live low, stay young forever—in short, to be the bohemian.”
—Tom Wolfe (b. 1931)
“Le Corbusier was the sort of relentlessly rational intellectual that only France loves wholeheartedly, the logician who flies higher and higher in ever-decreasing circles until, with one last, utterly inevitable induction, he disappears up his own fundamental aperture and emerges in the fourth dimension as a needle-thin umber bird.”
—Tom Wolfe (b. 1931)