Traditional Songs - Folk Music Revivals

Folk Music Revivals

"Folk music revival" refers to either a period of renewed interest in traditional folk music, or to an event or period which transforms it; the latter usually includes a social activism component. The most prominent instance of the former is the British folk revival of approximately 1890–1920. The most prominent and influential instance of the latter (to the extent that it is usually called "the folk music revival")is the folk revival of the mid 20th century, centered in the English-speaking world which gave birth to contemporary folk music. See the "Contemporary folk music" section for a description of this revival.

One earlier revival influenced western classical music. Such composers as Percy Grainger, Ralph Vaughan Williams and Béla Bartók, made field recordings or transcriptions of folk singers and musicians.

In Spain, Isaac Albéniz (1860–1909) produced piano works reflect his Spanish heritage, including the Suite Iberia (1906–1909). Enrique Granados (1867–1918) composed zarzuela, Spanish light opera, and Danzas Españolas - Spanish Dances. Manuel de Falla (1876–1946) became interested in the cante jondo of Andalusian flamenco, the influence of which can be strongly felt in many of his works, which include Nights in the Gardens of Spain and Siete canciones populares españolas ("Seven Spanish Folksongs", for voice and piano). Composers such as Fernando Sor and Francisco Tarrega established the guitar as Spain's national instrument. Modern Spanish folk artists abound (Mil i Maria, Russian Red, et al.) modernizing while respecting the traditions of their forebears.

Flamenco grew in popularity through the 20th century, as did northern styles such as the Celtic music of Galicia. French classical composers, from Bizet to Ravel, also drew upon Spanish themes, and distinctive Spanish genres became universally recognized.

Folk music revivals or roots revivals also encompass a range of phenomena around the world where there is a renewed interest in traditional music. This is often by the young, often in the traditional music of their own country, and often included new incorporation of social awareness, causes, and evolutions of new music in the same style. Nueva canción, a similar evolution of a new form of socially committed music occurred in several Spanish speaking countries.

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Famous quotes containing the words folk and/or music:

    An’ when the earth’s as cauld’s the mune
    An’ a’ its folk are lang syne deid,
    On coontless stars the Babe maun cry
    An’ the Crucified maun bleed.
    Hugh MacDiarmid (1892–1978)

    When in our music God is glorified,
    and adoration leaves no room for pride,
    it is as though the whole creation cried Alleluia!
    Frederick Pratt Green (b. 1903)