Umberto Eco - Novels

Novels

Eco's fiction has enjoyed a wide audience around the world, with many translations. His novels are full of subtle, often multilingual, references to literature and history and his dense, intricate plots tend to take dizzying turns. Eco's work illustrates the concept of intertextuality, or the inter-connectedness of all literary works. Eco cites James Joyce and Jorge Luis Borges as the two modern authors who have influenced his work the most.

Eco employed his education as a medievalist in his first novel The Name of the Rose (1980), a historical mystery set in a 14th century monastery. Franciscan friar William of Baskerville, aided by his assistant Adso, a Benedictine novice, investigates a series of murders at a monastery that is to host an important religious debate. The novel contains many direct or indirect metatextual references to other sources, requiring the detective work of the reader to 'solve'. The title is unexplained in the book. As a symbol, the rose is ubiquitous enough to not confer any single meaning. There is a tribute to Jorge Luis Borges, a major influence on Eco, in the blind monk and librarian Jorge of Burgos: Borges, like Jorge, lived a celibate life consecrated to his passion for books, and also went blind in later life. William of Baskerville is a logically-minded Englishman who is a monk and a detective, and his name evokes both William of Ockham and Sherlock Holmes (by way of The Hound of the Baskervilles). Several passages describing him are strongly reminiscent of Sir Arthur Conan Doyle's description of Sherlock Holmes. The underlying mystery of the murder is borrowed from the "Arabian Nights". The Name of the Rose was later made into a motion picture starring Sean Connery, F. Murray Abraham, Christian Slater and Ron Perlman which employs the plot rather than the philosophical and historical themes from the novel.

In Foucault's Pendulum (1988), three under-employed editors who work for a minor publishing house decide to amuse themselves by inventing a conspiracy theory. Their conspiracy, which they call "The Plan", is about an immense and intricate plot to take over the world by a secret order descended from the Knights Templar. As the game goes on, the three slowly become obsessed with the details of this plan. The game turns dangerous when outsiders learn of The Plan, and believe that the men have really discovered the secret to regaining the lost treasure of the Templars.

The Island of the Day Before (1994) was Eco's third novel. The book, set in the seventeenth century, is about a man marooned on a ship within sight of an island which he believes is on the other side of the international date-line. The main character is trapped by his inability to swim and instead spends the bulk of the book reminiscing on his life and the adventures that brought him to be marooned.

Baudolino was published in 2000. Baudolino is a knight who saves the Byzantine historian Niketas Choniates during the sack of Constantinople in the Fourth Crusade. Claiming to be an accomplished liar, he confides his history, from his childhood as a peasant lad endowed with a vivid imagination, through his role as adopted son of Emperor Frederic Barbarossa, to his mission to visit the mythical realm of Prester John. Throughout his retelling, Baudolino brags of his ability to swindle and tell tall tales, leaving the historian (and the reader) unsure of just how much of his story was a lie.

The Mysterious Flame of Queen Loana (2005) is about Giambattista Bodoni, an old bookseller specializing in antiques who emerges from a coma with only some memories to recover his past.

The Prague Cemetery, Eco's 6th novel, was published in 2010. It is the story of a secret agent who "weaves plots, conspiracies, intrigues and attacks, and helps determine the historical and political fate of the European Continent." The book is a narrative of the rise of Modern-day antisemitism, by way of the Dreyfus Affair, The Protocols of the Elders of Zion and other important 19th century events which gave rise to hatred and hostility toward the Jewish people.

Read more about this topic:  Umberto Eco

Famous quotes containing the word novels:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.
    Anthony Trollope (1815–1882)

    The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.
    Milan Kundera (b. 1929)