Mythology
The constellation of Ursa Major has been seen as a bear by many distinct civilizations. This may stem from a common oral tradition stretching back more than 13,000 years.
In Burmese, Pucwan Tārā (pronounced "bazun taja") is the name of a constellation comprising stars from the head and forelegs of Ursa Major; pucwan is a general term for a crustacean, such as prawn, shrimp, crab, lobster, etc.
In Greek mythology, Zeus (the king of the gods) lusts after a young woman named Callisto, a nymph of Artemis. Hera, Zeus' jealous wife, transforms the beautiful Callisto into a bear. Callisto, while in bear form, later encounters her son Arcas. Arcas almost shoots the bear, but to avert the tragedy, Zeus turns them into bears and puts them in the sky, forming Ursa Major and Ursa Minor. Callisto is Ursa Major and her son, Arcas is Ursa Minor. In ancient times the name of the constellation was Helike, ("turning"), because it turns around the Pole. In Book Two of Lucan it is called Parrhasian Helice, since Callisto came from Parrhasia in Arcadia, where the story is set. The Odyssey notes that it is the sole constellation that never sinks below the horizon and "bathes in the Ocean's waves". It is also referred to as the "Wain".
One of the few star groups mentioned in the Bible (Job 9:9; 38:32; — Orion and the Pleiades being others), Ursa Major was also pictured as a bear by the Jewish peoples. ("The Bear" was translated as "Arcturus" in the Vulgate and it persisted in the KJV.)
In Finnish language, the asterism is sometimes called with its old Finnish name, Otava. The meaning of the name has been almost forgotten in Modern Finnish; it means a salmon weir.
The Iroquois Native Americans interpreted Alioth, Mizar, and Alkaid as three hunters pursuing the Great Bear. According to one version of their myth, the first hunter (Alioth) is carrying a bow and arrow to strike down the bear. The second hunter (Mizar) carries a large pot — the star Alcor — on his shoulder in which to cook the bear while the third hunter (Alkaid) hauls a pile of firewood to light a fire beneath the pot.
In Hinduism, Ursa Major is known as Saptarshi, each of the stars representing one of the Saptarshis or Seven Sages viz. Bhrigu, Atri, Angirasa, Vasishta, Pulastya, Pulalaha and Kratu. The fact that the two front stars of the constellations point to the pole star is explained as the boon given to the boy sage Dhruva by Lord Vishnu.
In Javanese, the brightest seven stars are known as Lintang Wuluh, literally means "seven stars".
In South Korea, the constellation is referred to as "the seven stars of the north". In the related myth, a widow with seven sons found comfort with a widower, but to get to his house required crossing a stream. The seven sons, sympathetic to their mother, placed stepping stones in the river. Their mother, not knowing who put the stones in place, blessed them and, when they died, they became the constellation.
In Shinto, the 7 largest stars of Ursa Major belong to Amenominakanushi, the oldest and most powerful of all kami.
In Theosophy, it is believed the Seven Stars of the Pleiades focus the spiritual energy of the Seven Rays from the Galactic Logos to the Seven Stars of the Great Bear, then to Sirius, then to the Sun, then to the god of Earth (Sanat Kumara), and finally through the seven Masters of the Seven Rays to the human race.
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Famous quotes containing the word mythology:
“The Anglo-American can indeed cut down, and grub up all this waving forest, and make a stump speech, and vote for Buchanan on its ruins, but he cannot converse with the spirit of the tree he fells, he cannot read the poetry and mythology which retire as he advances. He ignorantly erases mythological tablets in order to print his handbills and town-meeting warrants on them.”
—Henry David Thoreau (18171862)
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“Love, love, loveall the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
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