Description
The majority of the Venus figurines appear to be depictions of females that follow certain artistic conventions, on the lines of schematisation and stylisation. Most of them are roughly lozenge-shaped, with two tapering terminals at top (head) and bottom (legs) and the widest point in the middle (hips/belly). In some examples, certain parts of the human anatomy are exaggerated: abdomen, hips, breasts, thighs, vulva. In contrast, other anatomical details are neglected or absent, especially arms and feet. The heads are often of relatively small size and devoid of detail. Some may represent pregnant women, while others show no such signs. In The Myth of Matriarchal Prehistory, Cynthia Eller says: "...they rarely show signs of pregnancy, childbirth or lactation. If Paleolithic artists were interested in representing the fertility of women, there are obvious ways in which to do this—such as making female figures that are indisputably pregnant or holding an infant—yet these images have not been found in Paleolithic art."
The high amount of fat around the buttocks of some of the figurines has led to numerous controversies. The issue was first raised by Édouard Piette, excavator of the Brassempouy figure and of several other examples from the Pyrenees. Some authors saw this feature as the depiction of an actual physical property, resembling the Khoisan tribe of southern Africa, while others interpreted it as a symbol of fertility and abundance. Recently, similar figurines with protruding buttocks from the prehistoric Jōmon period Japan were also interpreted as steatopygia of local women, possibly under nutritional stress.
The Venus of Willendorf and the Venus of Laussel bear traces of having been externally covered in red ochre. The significance of this is not clear, but is normally assumed to be religious or ritual in nature—perhaps symbolic of the blood of menstruation or childbirth. Some buried human bodies were similarly covered, and the colour may just represent life.
All generally accepted Paleolithic female figurines are from the Upper Palaeolithic. Although they were originally mostly considered Aurignacian, the majority are now associated with the Gravettian and Solutrean. In these periods, the more rotund figurines are predominant. During the Magdalenian, the forms become finer with more detail; conventional stylization also develops.
Read more about this topic: Venus Figurines
Famous quotes containing the word description:
“God damnit, why must all those journalists be such sticklers for detail? Why, theyd hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
—Lyndon Baines Johnson (19081973)
“Once a child has demonstrated his capacity for independent functioning in any area, his lapses into dependent behavior, even though temporary, make the mother feel that she is being taken advantage of....What only yesterday was a description of the childs stage in life has become an indictment, a judgment.”
—Elaine Heffner (20th century)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the months labor in the farmers almanac, to restore our tone and spirits.”
—Henry David Thoreau (18171862)