Production
In 2007, controversy arose in Catalonia (Spain) because the film was partially funded with public money: Barcelona's city hall provided one million euro and the Generalitat de Catalunya (Government of Catalonia) half a million, or ten percent of the film's budget.
This was the third time Johansson and Allen worked together, following Match Point and Scoop. This film also marked the second time Johansson and Hall worked together, the first time being in The Prestige.
The movie featured several paintings by the Catalan artist Agustà Puig. Puig was even commissioned to create a painting for the movie, the result being La Protectora II, though it was not used on set.
Read more about this topic: Vicky Cristina Barcelona
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)