Architecture
Palladio planned the villa on low lines extending into a large park. The ground floor plan is complex - rectangular with perpendicular rooms on a long axis, the central block projects and contains the principal reception room. The central block, which is designed to resemble the portico of a Roman temple, is decorated by four Ionic columns, a motif which takes its inspiration from the Temple of Fortuna Virilis in Rome. The central block is surmounted by a large pediment with heraldic symbols of the Barbaro family in relief. Below the pediment is a Latin inscription on the entablature dedicating the villa to the brothers' father: the inscription translates, "Daniel Barbaro, Patriarch of Aquileia, and Marcantonio his brother, sons of Francesco Barbaro".
The central block is flanked by two symmetrical wings. The wings have two floors but are fronted by an open arcade. Usually Palladio designed the wings to provide functional accommodation for agricultural use. The Villa Barbaro is unusual in having private living quarters on the upper level of the "barchesse" (that is: the rooms behind the arcades of the two wings). The Maser estate was a fairly small one and would not have needed as much storage space as was built at Villa Emo, for example.
The wings are terminated by pavilions which feature large sundials set beneath their pediments. The pavilions were intended to house dovecotes on the uppermost floor, while the rooms below were for wine-making, stables and domestic use. In many of Palladio's villas similar pavilions were little more than mundane farm buildings behind a concealing facade. A typical feature of Palladio's villa architecture, they were to be much copied and changed in the Palladian architecture inspired by Palladio's original designs.
Read more about this topic: Villa Barbaro
Famous quotes containing the word architecture:
“No architecture is so haughty as that which is simple.”
—John Ruskin (18191900)
“Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.”
—Ralph Waldo Emerson (18031882)
“Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.”
—Ralph Waldo Emerson (18031882)