Vilnius - Culture

Culture

Vilnius Historic Center *
UNESCO World Heritage Site
Country Lithuania
Type Cultural
Criteria ii, iv
Reference 541
Region ** Europe and North America
Inscription history
Inscription 1994
* Name as inscribed on World Heritage List
** Region as classified by UNESCO

Vilnius is a cosmopolitan city with diverse architecture. There are 65 churches in Vilnius. Like most medieval towns, Vilnius was developed around its Town Hall. The main artery, Pilies Street, links the Royal Palace with Town Hall. Other streets meander through the palaces of feudal lords and landlords, churches, shops and craftsmen's workrooms. Narrow, curved streets and intimate courtyards developed in the radial layout of medieval Vilnius. Vilnius Old Town, the historical centre of Vilnius, is one of the largest in Europe (3.6 km²). The most valuable historic and cultural sites are concentrated here. The buildings in the old town – there are nearly 1,500 – were built over several centuries, creating a blend of many different architectural styles. Although Vilnius is known as a Baroque city, there are examples of Gothic (e.g. St Anne's Church), Renaissance, and other styles. Their combination is also a gateway to the historic centre of the capital. Owing to its uniqueness, the Old Town of Vilnius was inscribed on the UNESCO World Heritage List in 1994. In 1995, the world's first bronze cast of Frank Zappa was installed in the Naujamiestis district with the permission of the government. The Frank Zappa sculpture confirmed the newly found freedom of expression, and marked the beginning of a new era for Lithuanian society.

The Vilnius Castle Complex, a group of defensive, cultural, and religious buildings that includes Gediminas Tower, Cathedral Square, the Royal Palace of Lithuania, and the remains of several medieval castles, is part of the National Museum of Lithuania. Lithuania's largest art collection is housed in the Lithuanian Art Museum. The House of the Signatories, where the 1918 Act of Independence of Lithuania was signed, is now a historic landmark. The Museum of Genocide Victims is dedicated to the victims of the Soviet era. On the other side of the Neris, the National Art Gallery holds a permanent exhibition on Lithuanian 20th century art, as well as numerous exhibitions on modern art.

The Martynas Mažvydas National Library of Lithuania, named for the author of the first book printed in the Lithuanian language, holds 6,912,266 physical items. The biggest book fair in Baltic States is annually held in Vilnius at LITEXPO, the Baltic’s biggest exhibition centre.

On 10 November 2007, the Jonas Mekas Visual Arts Center was opened by avant-garde film-maker Jonas Mekas. Its premiere exhibition was entitled The Avant-Garde: From Futurism to Fluxus. There are plans to build the Guggenheim-Hermitage museum, designed by Zaha Hadid. The museum would host exhibitions featuring works from Saint Petersburg's Hermitage Museum and the Guggenheim Museums, along with non-commercial avant-garde cinema, a library, a museum of Lithuanian Jewish culture, and collections of works by Jonas Mekas and Jurgis Mačiūnas.

The Užupis district near the Old Town, which used to be one of the most run down districts of Vilnius during the Soviet Union, is home to a movement of bohemian artists, who operate numerous art galleries and workshops. Užupis declared itself an independent republic on April Fool’s Day 1997. In the main square, the statue of an angel blowing a trumpet stands as a symbol of artistic freedom. The district is also the home of Vilnius’ Mayor Arturas Zuokas,

Read more about this topic:  Vilnius

Famous quotes containing the word culture:

    In society, in the best institutions of men, it is easy to detect a certain precocity. When we should still be growing children, we are already little men. Give me a culture which imports much muck from the meadows, and deepens the soil,—not that which trusts to heating manures, and improved implements, and modes of culture only!
    Henry David Thoreau (1817–1862)

    Like every other good thing in this world, leisure and culture have to be paid for. Fortunately, however, it is not the leisured and the cultured who have to pay.
    Aldous Huxley (1894–1963)

    We belong to an age whose culture is in danger of perishing through the means to culture.
    Friedrich Nietzsche (1844–1900)