The Chapel Royal
Byrd obtained the prestigious post of Gentleman of the Chapel Royal in 1572 following the death of Robert Parsons, a gifted composer who drowned in the Trent near Newark on 25 January of that year. Almost from the outset Byrd is named as ‘organist’, which however was not a designated post but an occupation for any Chapel Royal member capable of filling it. This career move vastly increased Byrd's opportunities to widen his scope as a composer and also to make contacts at Court. Queen Elizabeth (1558–1603) was a moderate Protestant who eschewed the more extreme forms of Puritanism and retained a fondness for elaborate ritual, besides being a music lover and keyboard player herself. Byrd's output of Anglican church music (defined in the strictest sense as sacred music designed for performance in church) is surprisingly small, but it stretches the limits of elaboration then regarded as acceptable by some reforming Protestants who regarded highly wrought music as a distraction from the Word of God.
Read more about this topic: William Byrd
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Gynglen in a whistlynge wynd als cleere
And eek as loude as dooth the chapel belle.”
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