Work hardening, also known as strain hardening or cold working, is the strengthening of a metal by plastic deformation. This strengthening occurs because of dislocation movements and dislocation generation within the crystal structure of the material. Most non-brittle metals with a reasonably high melting point as well as several polymers can be strengthened in this fashion. Alloys not amenable to heat treatment, including low-carbon steel, are often work-hardened. Some materials cannot be work-hardened at normal ambient temperatures, such as indium, however others can only be strengthened via work hardening, such as pure copper and aluminum.
Work hardening may be desirable or undesirable depending on the context.
- An example of undesirable work hardening is during machining when early passes of a cutter inadvertently work-harden the workpiece surface, causing damage to the cutter during the later passes. Certain alloys are more prone to this than others; superalloys such as Inconel require machining strategies that take it into account.
- An example of desirable work hardening is that which occurs in metalworking processes that intentionally induce plastic deformation to exact a shape change. These processes are known as cold working or cold forming processes. They are characterized by shaping the workpiece at a temperature below its recrystallization temperature, usually at the ambient temperature. Cold forming techniques are usually classified into four major groups: squeezing, bending, drawing, and shearing. Applications include the heading of bolts and cap screws and the finishing of cold rolled steel.
Read more about Work Hardening: History, Theory, Empirical Relations, Processes, Advantages and Disadvantages
Famous quotes containing the words work and/or hardening:
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I thinkand it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artists work ever produced.”
—Elizabeth Barrett Browning (18061861)
“With sixty staring me in the face, I have developed inflammation of the sentence structure and definite hardening of the paragraphs.”
—James Thurber (18941961)