Plot
Tess McGill (Melanie Griffith) is a working-class stockbroker's secretary from Staten Island with a bachelor's degree in Business from evening classes. She dreams of an executive position. Tricked by her boss (Oliver Platt) into a date with his lascivious colleague (Kevin Spacey), she gets into trouble by publicly insulting him and is reassigned as secretary to a new financial executive, Katharine Parker (Sigourney Weaver). Seemingly supportive, Katharine encourages Tess to share ideas. Tess suggests that a client, Trask Industries, should invest in radio to gain a foothold in media. Katharine listens to the idea and says she'll pass it through some people. Later, she says the idea wasn't well received. But when Katharine breaks her leg skiing in Europe, she asks Tess to house-sit and Tess discovers she plans to pass off the idea as her own. At home, Tess finds her boyfriend (Alec Baldwin) in bed with another woman. Disillusioned, she returns to Katharine's apartment and begins her transformation.
Tess sets up a meeting with executive Jack Trainer (Harrison Ford), using her boss's name as an entrée. She wants to see Trainer the evening before the meeting at a party which she will attend in a dress of Katharine's. Before the party her friend Cynthia (Joan Cusack) gives her a valium from Katharine's bathroom when Tess suffers a panic attack. At the party, Tess unknowingly meets Jack, who is fascinated by her. They have a couple of drinks and the combined effect of valium and alcohol lead to her waking next morning in Jack's bed. She leaves before he wakes and, entering the meeting, realizes Jack Trainer is the man she spent the night with. She feels the pitch goes badly. Back at her desk, she is mortified about the night before but Jack comes in and says they are happy with Tess's idea. Days later, Tess and Jack gatecrash Trask's (Philip Bosco) daughter’s (Barbara Garrick) wedding and pitch their plan. Trask is interested and a meeting is set up. Later Tess and Jack end up in bed together. Tess wants to explain her true situation but keeps quiet after learning Jack has been in a relationship with Katharine, which he says is all but over.
Katharine comes home on the day of the meeting with Trask. Tess overhears Katharine asking Jack to confirm his love for her, but he avoids answering and hurries out. Tess also rushes off, leaving her diary, which Katharine reads. The meeting goes well until Katharine storms in, accusing Tess, a mere secretary, of stealing her idea. Tess protests but leaves, apologizing. Days later, Tess is clearing out her desk when someone bumps into her, spiling all her notes and supplies on the floor. While picking them up in front of the elevator, Jack, Katharine, and Trask arrive. Tess confronts Katharine and starts to tell her side of the story. Katharine tries to lead the group away, but Jack says he believes Tess. When Trask hears a convincing tidbit, he hops off the closing elevator with Katharine and onto an elevator with Jack and Tess. They then convince Trask that the move into radio was Tess's idea, showing him materials. Trask confronts Katharine, asking her how she came up with the idea. She stumbles and is fired. Trask offers Tess an "entry-level" job with his company.
Tess starts her new job, armed with a lunchbox prepared by Jack. Directed to an office, she sees a woman on the phone, assumes she is her new boss and seats herself in the typing pool. The woman (Amy Aquino) reveals she is, in fact, Tess’s secretary. Tess insists they work together as colleagues, showing she will be very different than Katharine. She then calls Cynthia from her office overlooking Manhattan to say she's landed her dream job.
Read more about this topic: Working Girl
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no ones actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)
“The plot thickens, he said, as I entered.”
—Sir Arthur Conan Doyle (18591930)