"Treaty" and Tribal Voice: 1991–1992
In 1988, as part of Bicentennial celebrations, Australian Prime Minister Bob Hawke visited the Northern Territory for the Barunga festival where he was presented with a statement of Aboriginal political objectives by Galarrwuy Yunupingu and Wenten Rubuntja. Hawke responded to the Barunga Statement with a promise that a treaty would be concluded with Indigenous Australians by 1990. By 1991, Yothu Yindi were Hughie Benjamin on drums, Sophie Garrkali and Julie Gungunbuy as dancers, Kellaway, Marika, Mununggurr, Gurrumul Yunupingu, Makuma Yunupingu on yidaki, vocals, bilma, Mandawuy Yunupingu, Mangatjay Yunupingu as a dancer. Mandawuy, with his older brother Galarrwuy, wanted a song to highlight the lack of progress on the treaty between Aboriginal peoples and the federal government. Mandawuy recalls:
Bob Hawke visited the Territory. He went to this gathering in Barunga. And this is where he made a statement that there shall be a treaty between black and white Australia. Sitting around the camp fire, trying to work out a chord to the guitar, and around that camp fire, I said, "Well, I heard it on the radio. And I saw it on the television." That should be a catchphrase. And that's where 'Treaty' was born. —Mandawuy Yunupingu, 8 July 2004"Treaty" was written by Australian musician Paul Kelly and Yothu Yindi members Mandawuy Yunupingu, Kellaway, Williams, Gurrumul Yunupingu, Mununggurr and Marika. The initial release had little interest, but Melbourne-based dance remixers Filthy Lucre's Robert Goodge (ex-I'm Talking) and Gavin Campbell adapted the song, their version peaked at No. 11 on the Australian Recording Industry Association (ARIA) singles charts by September. The song contains lyrics in both English and in Yolngu matha, it was accompanied by a video showing band members performing vocals, music, and dance.
Success for the single was transferred to the related album Tribal Voice which peaked at No. 4 on the ARIA albums charts, The album produced by Mark Moffatt for Mushroom Records was released in September 1991. Mandawuy Yunupingu took leave of absence from his duties as principal to tour and promote the single and album. Other singles from the album were a re-released "Djäpana (Sunset Dreaming)" which peaked at No. 13 in 1992 and "Tribal Voice" which didn't reach the Top 50. At the 1992 ARIA Awards Yothu Yindi won awards for 'Best Cover Art' for Tribal Voice by Louise Beach and Mushroom Art; 'Engineer of the Year' for "Maralitja" (maralitja is Yolngu matha for crocodile man - one of Mandawuy's tribal names), "Dharpa" (dharpa is tree), "Treaty", "Treaty (Filthy Lucre remix)" and "Tribal Voice" by David Price, Ted Howard, Greg Henderson and Simon Polinski; 'Best Indigenous Release' for Tribal Voice; 'Song of the Year' for "Treaty"; and 'Single of the Year' for "Treaty". Both "Treaty" in 1992 and "Djäpana (Sunset Dreaming)" in 1993 charted on the Billboard Hot Dance Club Play singles charts, with "Treaty" peaking at No. 6, Tribal Voice peaked at No. 3 on the Billboard Top World Music Albums chart in 1992.
In October 1992, then Prime Minister Paul Keating's government awarded Yothu Yindi with a $30,000 grant. The money was used to travel to New York, where they performed at the United Nations for the launch of International Year for the World's Indigenous People. Mandawuy Yunupingu was named Australian of the Year by the Keating government on 26 January 1993. His older brother, Galarrwuy had been named Australian of the Year in 1978 for his work for Aboriginal communities.
In 2009 'Treaty' was added to the National Film and Sound Archive's Sounds of Australia Registry.
Read more about this topic: Yothu Yindi
Famous quotes containing the words treaty and and/or treaty:
“He was then in his fifty-fourth year, when even in the case of poets reason and passion begin to discuss a peace treaty and usually conclude it not very long afterwards.”
—G.C. (Georg Christoph)
“There is between sleep and us something like a pact, a treaty with no secret clauses, and according to this convention it is agreed that, far from being a dangerous, bewitching force, sleep will become domesticated and serve as an instrument of our power to act. We surrender to sleep, but in the way that the master entrusts himself to the slave who serves him.”
—Maurice Blanchot (b. 1907)