Zombie - in Popular Culture

In Popular Culture

The figure of the zombie has appeared several times in fantasy themed fiction and entertainment, as early as the 1929 novel The Magic Island by William Seabrook. Time claimed that the book "introduced 'zombi' into U.S. speech". In 1932, Victor Halperin directed White Zombie, a horror film starring Bela Lugosi. This film, capitalizing on the same voodoo zombie themes as Seabrook's book of three years prior, is often regarded as the first legitimate zombie film, and introduced the word "zombie" to the wider world. Other zombie-themed films include Val Lewton's I Walked With a Zombie (1943) and Wes Craven's The Serpent and the Rainbow, (1988) a heavily fictionalized account of Wade Davis' book.

In 2011, Image Comics released a four issue miniseries entitled Drums, by writer El Torres and artist Abe Hernando. The story consists of Afro-Caribbean zombies that have been created using voodoo.

The zombie also appears as a metaphor in protest songs, symbolizing mindless adherence to authority, particularly in law enforcement and the armed forces. Well-known examples include Fela Kuti's 1976 album Zombie, and The Cranberries' 1994 single "Zombie".

A new version of the zombie, distinct from that described in Haitian religion, has also emerged in popular culture in recent decades. This "zombie" is taken largely from George A. Romero's seminal film The Night of the Living Dead, which was in turn partly inspired by Richard Matheson's 1954 novel I Am Legend. The word zombie is not used in Night of the Living Dead, but was applied later by fans. The monsters in the film and its sequels, such as Dawn of the Dead and Day of the Dead, as well as its many inspired works, such as Return of the Living Dead and Zombi 2, are usually hungry for human flesh although Return of the Living Dead introduced the popular concept of zombies eating brains. Sometimes they are victims of a fictional pandemic illness causing the dead to reanimate or the living to behave this way, but often no cause is given in the story. Although this modern monster bears some superficial resemblance to the Haitian zombie tradition, its links to such folklore are unclear, and many consider George A. Romero to be the progenitor of this creature. Zombie fiction is now a sizeable sub-genre of horror, usually describing a breakdown of civilization occurring when most of the population become flesh-eating zombies — a zombie apocalypse.