Inspirations
The historical figure most often associated with the Zorro character is Joaquin Murrieta, whose life was fictionalized in an 1854 dime novel by John Rollin Ridge. In the 1998 film The Mask of Zorro Murrieta's (fictional) brother succeeds Diego as Zorro. As a hero with a secret identity who taunts his foes by signing his deeds, Zorro finds a direct literary predecessor in Sir Percival Blakeney, hero of the Scarlet Pimpernel pulp series by Baroness Emmuska Orczy.
The character recalls other figures, such as Robin Hood, Reynard the Fox, Salomon Pico, Manuel Rodríguez Erdoíza, and Tiburcio Vasquez. Another possible historical inspiration is William Lamport, an Irish soldier who lived in Mexico in the 17th century. His life was the subject of a fictional book by Vicente Riva Palacio; The Irish Zorro (2004) is a recent biography. Another is Estanislao, a Yokuts Indian who led a revolt against the Mission San Jose in 1827.
The 1890s penny dreadful treatment of the Spring Heeled Jack character as a masked avenger may have inspired some aspects of Zorro's heroic persona. Spring Heeled Jack was portrayed as a nobleman who created a flamboyant, masked alter ego to fight injustice, frequently demonstrated exceptional athletic and combative skills, maintained a hidden lair and was known to carve the letter "S" into walls with his rapier as a calling card.
Like Sir Percy in The Scarlet Pimpernel, Don Diego avoids suspicion by playing the role of a dandy who wears lace, writes poetry, and shuns violence. The all-black Fairbanks film costume, which with variations has remained the standard costume for the character, was likely adapted from the Arrow serial film character The Masked Rider (1919). This character was the first Mexican black-clad masked rider on a black horse to appear on the silver screen. Fairbanks's costume in The Mark of Zorro, released the following year, resembled that of the Rider with only slight differences in the mask and hat.
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Famous quotes containing the word inspirations:
“My dream is that as the years go by and the world knows more and more of America, it ... will turn to America for those moral inspirations that lie at the basis of all freedom ... that America will come into the full light of the day when all shall know that she puts human rights above all other rights, and that her flag is the flag not only of America but of humanity.”
—Woodrow Wilson (18561924)
“We must learn the language of facts. The most wonderful inspirations die with their subject, if he has no hand to paint them to the senses.”
—Ralph Waldo Emerson (18031882)