Theatre Work
- The Devil's Disciple, Royal Shakespeare Company, 1976
- Wild Oats, Royal Shakespeare Company, 1976
- Ivanov, Royal Shakespeare Company, 1976
- The Taming of the Shrew, Royal Shakespeare Company, 1978
- Captain Swing, Royal Shakespeare Company, 1978
- Piaf, Royal Shakespeare Company, 1978
- Once in a Lifetime, Royal Shakespeare Company, 1979
- Piaf, Plymouth Theatre, New York City, 1981
- The Importance of Being Earnest, National Theatre, London, 1982
- Twelfth Night, Royal Shakespeare Company, 1983
- The Time of Your Life, Royal Shakespeare Company, 1983
- The Comedy of Errors, Royal Shakespeare Company, 1983
- Mother Courage, Royal Shakespeare Company, 1984
- Loot, Manhattan Theatre Club, then Music Box Theatre, both New York City, 1986
- The Bay at Nice and Wrecked Eggs, National Theatre, London, 1986
- Mrs Klein, National Theatre, 1988, then Apollo Theatre, both London, 1989
- Othello, Royal Shakespeare Company, 1989
- The Crucible, National Theatre, London, 1990
- The Last Yankee, Young Vic, London, 1993
- Dead Funny, Hampstead Theatre, then Vaudeville Theatre, both London, 1994
- The Glass Menagerie, Donmar Warehouse, then Comedy Theatre, both London, 1995
- Sylvia, Apollo Theatre, London, 1996
- Electra, Donmar Warehouse, London, 1997, then McCarter Theatre, Princeton, NJ, and Ethel Barrymore Theatre, New York City, 1998
- The Old Neigbourhood, Royal Court Theatre, London, 1998
- Battle Royal, National Theatre, London, 1999
- Boston Marriage, Donmar Warehouse, then New Ambassadors Theatre, both London, 2001
- His Girl Friday, National Theatre, London, 2003
- Awake and Sing!, Belasco Theatre, New York City, 2006
- The Rose Tattoo, National Theatre, London, 2007
- Much Ado About Nothing, National Theatre, London, 2007
- All My Sons, Apollo Theatre, London, 2010
- The Cherry Orchard, National Theatre, London, 2011
- Passion Play, Duke of York's Theatre, London, 2013
Read more about this topic: Zoë Wanamaker
Famous quotes containing the words theatre and/or work:
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)