British Blues Boom
British blues emerged out of the skiffle and folk club scene of the late 1950s, particularly in London, which included the playing of American acoustic blues. Critical was the visit of Muddy Waters in 1958, who initially shocked British audiences by playing amplified electric blues, but who was soon performing to ecstatic crowds and rave reviews. This inspired guitarist and blues harpist Cyril Davies and guitarist Alexis Korner to plug in and they began to play a high-powered electric blues that became the model for the sub-genre, forming the band Blues Incorporated. Blues Incorporated was something of a clearing house for British blues musicians in the later 1950s and early 1960s, with many joining, or sitting in on sessions. These included future Rolling Stones, Mick Jagger, Charlie Watts and Brian Jones; as well as Cream founders Jack Bruce and Ginger Baker; beside Graham Bond and Long John Baldry. Blues Incorporated were given a residency at the Marquee Club and it was from there that in 1962 they took the name of the first British Blues album, R&B from the Marquee for Decca, but split before its release. The model of electric blues was emulated by a number of bands including The Rolling Stones, The Animals. The Yardbirds and Led Zeppelin (much of the early work).
The other key focus for British blues was around John Mayall who moved to London in the early 1960s, eventually forming the Bluesbreakers, whose members at various times included, Jack Bruce, Aynsley Dunbar and Mick Taylor. Particularly significant was the Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings. It was notable for its driving rhythms and Clapton's rapid blues licks with a full distorted sound derived from a Gibson Les Paul and a Marshall amp, which became something of a classic combination for British blues (and later rock) guitarists. It also made clear the primacy of the guitar, seen as a distinctive characteristic of the sub-genre. Clapton left to form Cream with Baker and Bruce and his replacement was Peter Green, who in turn (with the then Bluesbreaker's rhythm section Mick Fleetwood and John McVie) left in 1967 to form Peter Green's Fleetwood Mac. The incorporation of elements of rock and roll into the music of these bands led them increasingly to play a hybrid form of blues-rock.
Read more about this topic: Electric Blues
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“It is from the blues that all that may be called American music derives its most distinctive character.”
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