Germaine Greer (born 29 January 1939) is an Australian academic and journalist, and was a major feminist voice of the mid-20th century.
Greer's ideas have created controversy ever since her book The Female Eunuch became an international best-seller in 1970, turning her into a household name and bringing her both adulation and opposition. She is also the author of many other books including Sex and Destiny: The Politics of Human Fertility (1984); The Change: Women, Ageing and the Menopause (1991); Shakespeare's Wife (2007); and The Whole Woman (1999). She is Professor Emerita of English Literature and Comparative Studies at the University of Warwick.
Greer has defined her goal as "women's liberation" as distinct from "equality with men". She asserts that women's liberation meant embracing gender differences in a positive fashion—a struggle for the freedom of women to define their own values, order their own priorities and determine their own fates. In contrast, Greer sees equality as mere assimilation and "settling" to live the lives of "unfree men".
Following the publication of her highly controversial book 'The Beautiful Boy' in 2003, Greer has been labelled by some as promoting paedophilia with Greer herself describing the depiction of adolescent males in her own book as "full of pictures of 'ravishing' pre-adult boys with hairless chests, wide-apart legs and slim waists". She goes on to say that, "I know that the only people who are supposed to like looking at pictures of boys are a subgroup of gay men".
Read more about Germaine Greer: Early Life and Career, Middle Career, Later Career, Other Media, Aboriginal Australians
Famous quotes by germaine greer:
“Perhaps ... women have always been in closer contact with reality than men: it would seem to be the just recompense for being deprived of idealism.”
—Germaine Greer (b. 1939)
“Woman ... cannot be content with health and agility: she must make exorbitant efforts to appear something that never could exist without a diligent perversion of nature. Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a subhumanly ugly mate?”
—Germaine Greer (b. 1939)
“If you think you are emancipated, you might consider the idea of tasting your menstrual blood—if it makes you sick, you’ve a long way to go, baby.”
—Germaine Greer (b. 1939)
“The climacteric marks the end of apologizing. The chrysalis of conditioning has once for all to break and the female woman finally to emerge.”
—Germaine Greer (b. 1939)
“A full bosom is actually a millstone around a woman’s neck: it endears her to the men who want to make their mammet of her, but she is never allowed to think that their popping eyes actually see her. Her breasts ... are not parts of a person but lures slung around her neck, to be kneaded and twisted like magic putty, or mumbled and mouthed like lolly ices.”
—Germaine Greer (b. 1939)