Early Life and Career
Germaine Greer was born in Melbourne in 1939, growing up in the bayside suburb of Mentone. Her father was a newspaper advertising rep' who served in the wartime RAAF. After attending a private convent school, Star of the Sea College, in Gardenvale, she won a teaching scholarship in 1956 and enrolled at the University of Melbourne. After graduating with a degree in English and French language and literature, she moved to Sydney, where she became involved with the Sydney Push social milieu and the anarchist Sydney Libertarians at its centre. Christine Wallace, in her unauthorised biography, describes Greer at this time:
For Germaine, provided a philosophy to underpin the attitude and lifestyle she had already acquired in Melbourne. She walked into the Royal George Hotel, into the throng talking themselves hoarse in a room stinking of stale beer and thick with cigarette smoke, and set out to follow the Push way of life – "an intolerably difficult discipline which I forced myself to learn". The Push struck her as completely different from the Melbourne intelligentsia she had engaged with in the Drift, "who always talked about art and truth and beauty and argument ad hominem; instead, these people talked about truth and only truth, insisting that most of what we were exposed to during the day was ideology, which was a synonym for lies – or bullshit, as they called it". Her Damascus turned out to be the Royal George, and the Hume Highway was the road linking it. "I was already an anarchist", she says. "I just didn't know why I was an anarchist. They put me in touch with the basic texts and I found out what the internal logic was about how I felt and thought.
By 1972 Greer would identify as an anarchist communist, repudiating Marxism.
In her first teaching post, Greer lectured at the University of Sydney, where she also earned a first class MA in romantic poetry in 1963 with a thesis entitled The Development of Byron's Satiric Mode. A year later, the thesis won her a Commonwealth Scholarship, which she used to fund her doctorate at the University of Cambridge in England, where she became a member of the all-women's Newnham College.
Professor Lisa Jardine, who was at Newnham at the same time, recalled the first time she met Greer, at a formal dinner in college: "The principal called us to order for the speeches. As a hush descended, one person continued to speak, too engrossed in her conversation to notice, her strong Australian accent reverberating around the room. At the graduates' table, Germaine was explaining that there could be no liberation for women, no matter how highly educated, as long as we were required to cram our breasts into bras constructed like mini-Vesuviuses, two stitched white cantilevered cones which bore no resemblance to the female anatomy. The willingly suffered discomfort of the Sixties bra, she opined vigorously, was a hideous symbol of male oppression.... astonished at the very idea that a woman could speak so loudly and out of turn and that words such as 'bra' and 'breasts' – or maybe she said 'tits' – could be uttered amid the pseudo-masculine solemnity of a college dinner.
Greer joined the student amateur acting company, the Cambridge Footlights, which launched her into the London arts and media scene. Using the pen name Rose Blight, she also wrote a gardening column for the satirical magazine Private Eye, and as Dr. G, became a regular contributor to the underground London magazine Oz, owned by the Australian writer Richard Neville. The 29 July 1970 edition was guest-edited by Greer, and featured an article of hers on the hand-knitted Cock Sock, "a snug corner for a chilly prick". She also posed nude for Oz on the understanding that the male editors would do likewise: they did not. Greer was also editor of the Amsterdam underground magazine Suck, which published a full-page photograph of Greer: "stripped to the buff, looking at the lens through my thighs". Greer has said that "cunt" is one of the few remaining words in the English language with a genuine power to shock."
In 1968 she received her PhD on the topic of Elizabethan drama with a thesis titled The Ethic of Love and Marriage in Shakespeare's early comedies, and accepted a lectureship in English at the University of Warwick in Coventry. The same year, in London, she married British carpenter and remodeller Paul du Feu, but the marriage lasted only three weeks, during which, as she later admitted, Greer was unfaithful several times. The marriage ended in divorce in 1973.
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