Myanma - Culture

Culture

A diverse range of indigenous cultures exist in Burma, the majority culture is primarily Buddhist and Bamar. Bamar culture has been influenced by the cultures of neighbouring countries. This is manifested in its language, cuisine, music, dance and theatre. The arts, particularly literature, have historically been influenced by the local form of Theravada Buddhism. Considered the national epic of Burma, the Yama Zatdaw, an adaptation of India's Ramayana, has been influenced greatly by Thai, Mon, and Indian versions of the play. Buddhism is practised along with nat worship which involves elaborate rituals to propitiate one from a pantheon of 37 nats.

In a traditional village, the monastery is the centre of cultural life. Monks are venerated and supported by the lay people. A novitiation ceremony called shinbyu is the most important coming of age events for a boy, during which he enters the monastery for a short period of time. All male children in Buddhist families are encouraged to be a novice (beginner for Buddhism) before the age of twenty and to be a monk after the age of twenty. Girls have ear-piercing ceremonies (α€”α€¬α€Έα€ž) at the same time. Burmese culture is most evident in villages where local festivals are held throughout the year, the most important being the pagoda festival. Many villages have a guardian nat, and superstition and taboos are commonplace.

British colonial rule also introduced Western elements of culture to Burma. Burma's educational system is modelled after that of the United Kingdom. Colonial architectural influences are most evident in major cities such as Yangon. Many ethnic minorities, particularly the Karen in the southeast, and the Kachin and Chin who populate the north and north-east, practice Christianity. According to the CIA World Factbook, the Burman population is 68%, and the Ethnic groups comprise of 32%. However, the exiled leaders and organisations claims that Ethnic population is 40% which is implicitly contrasted with CIA report (official U.S report).

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    With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.
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